20th century humanities or modernism is a term
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twentieth century humanities or modernism is the presumption that the autonomy of the individual is the sole supply of meaning and truth. This belief, which will stemmed from the application of reason and natural science, led to a perpetual search for unique and novel varieties of expression (Keep, McLaughlin, Parmar). Thus, it truly is evident that modernism removed the Renaissance period’s involvement in the time-honored tradition and universal that means, in favor of a belief in the individual.
The influence of naturalism on modernism is extremely evident in the humanistic viewpoint, especially in Jean-Paul Sartre’s philosophical school of thought, existentialism. In a radical departure from your classical belief in a purposeful universe, made and ruled by The almighty, Sartre set out to disprove the presence of God, while simultaneously building that only individual free can can specify or replace the essence of being (Wyatt, 2004). The same emphasis on naturalism plus the individual heart can be seen in the impressionist college of painting. For example , Edouard Manet’s Lunch on the Grass departs from your classical focus on formal set up to advise new, even more naturalistic, options in the utilization of light and color in open-air piece of art (Pioch, 2002).
Modernism’s departure from custom to focus on personality is apparent in modern literature and music as well. Indeed, this really is highly noticeable in Va Woolf’s A Room of One’s Own and John Armstrong’s structure Heebie Jeebies. Woolf, for example, flouted all conventional symbole of feminism and instead strongly suggested that women should develop their particular style and write “as women write, not as males write. inches (Lawrence University) Similarly, Armstrong displayed individualism in his Heebie Jeebies, in which he introduced stroking ” nonsense syllables” called “scat” for the first time (Smithsonian Jazz music, 2004). As a result, it is evident that humanities in the twentieth century discarded the Renaissance interest and belief in the classical practices, and decided to go with instead to emphasize on the need for the individual heart.
Works Reported
Keep, C., McLaughlin, T., Parmar, 3rd there’s r. “Defining Postmodernism. ” Seen Dec. twelve
2004: http://jefferson.village.virginia.edu/elab/hfl0242.html
Lawrence School. “The Range of Woolf’s Feminism within a Room of One’s Own. inch Accessed
Dec. 11, 2004: http://www.lawrence.edu/dept/freshman_studies/writing/scope_of_woolf.pdf
Pioch, N. “Manet, Edouard: Le Dejeuner en allant sur l’herbe. inch July 14, 2002. Seen Dec. 10
2004: http://www.ibiblio.org/wm/paint/auth/manet/dejeuner/
Smithsonian Punk. “Smithsonian Jazz music Class” John Armstrong. inches 2004. Reached Dec. 11, 2004:
http://www.smithsonianjazz.org/class/armstrong/la_class_1.asp
Wyatt, C. J. “Jean-Paul Sartre. ” Mar. 21, 2004. Reached Dec. 12, 2004:
http://www.tameri.com/csw/exist/
Early twentieth century traditions was deeply influenced with a belief in naturalism and the individual while the sole source of meaning. These beliefs
