Conflict among parents and children article

Dogs, Raising a child, Conflict, Growing Up

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Disputes Between Parents and Their Children: Amy Tan’s “Two Kinds” and Tag Haddon’s the Curious Occurrence of the Puppy in the Night-Time

We have all experienced our own squabbles with our parents, but in some cases it is a hard fight resisting an oppressive parental pressure and creating yourself as an individual. But, this is exactly what Jing-mei Woo and Christopher Boone do. In both Amy Tan’s “Two Kinds and Mark Haddon’s The Wondering Incident with the Dog in the Night-Time, the growing teen characters will be being smothered by their oppressive single father and mother. Each one of all of them is being required to play a role which is not truly suitable for them; nevertheless , when each of them make a stand against that oppressive parental pressure, they are genuinely allowed to enter their own and establish themselves as a grownup.

In Amy Tan’s brief story, “Two Kinds, ” the essential conflict is among a girl and her obsessive mom. Jing-mei Woo is pressured by her mother for taking piano lessons and to excel at school. Her mother desires her becoming a prodigy, the best at almost everything she places her hands on. This places an enormous volume of pressure on the teenagers Jing-mei, who does not want to complete half of what her mom makes her do over the first half the story. Her mother needed her to be the China Shirley Forehead, perfect and admirable in each and every way. This desire for her daughter to finance perfection led Jing-mei’s mom to frequently push her too hard also to seem cold and distant. Still, Jing-mei’s mother pushes her child to push very hard out great intentions. Her mother immigrated from China and really held on to the idea that there is a better life here in the us. She wanted her girl to stand out, and have a better life than she performed. However , her way of practicing it simply distances her and her daughter towards the point of no returning, where there is usually an inevitable conflict that eventually models her daughter free. Jing-mei’s mother shows clear disappointment when her daughter can be not as excellent like she wishes her to be; “And after seeing, once again, my own mother’s disappointed face, something inside myself began to expire. I resented the testing, the brought up hopes and failed anticipations. Before going to bed in the evening I appeared in the reflection above the bath room sink, and i also saw only my encounter staring again – and understood that this would regularly be this ordinary face” (Tan 2). Finally, Jing-mei has too much of her mother’s compulsive burdens. She eventually faces her mom and tells her she could no longer perform along and maintain trying to end up being something she actually is not. Through this moment of clarity, Jing-mei establishes very little as a grownup and as an individual with her own desires, dreams, and talents. This is certainly a powerful minute, where the reader gets a first hand view of the child evolving in to her individual right.

Indicate Haddon presents a similar parent-child conflict in his work, The Curious Occurrence of the Doggie in the Night-Time. Here is a son, Christopher Boone, who is affected with some sort of either panic

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