Body language injury and identification in the

Oedipus, Oedipus Rex, Oedipus The King, The Odyssey

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In describing the characters of Odysseus and Oedipus, Homer and Sophocles both prevent defining unichip by standard physical characteristics such as visibility or special facial features. Instead, these authors focus on detailing particular bodily injuries that work as embodiments of each character’s identification. Parallel plotlines in The Journey and Oedipus the California king reveal the symbolic relevance of Odysseus’s scar in addition of Oedipus’s swollen ft . and gouged-out eyes. In both performs, the infliction of these accidental injuries is essential for the characters’ sot, with the certain degree of personal involvement inside the creation of those wounds functioning as a expression of the volume of control each person respectively has over his life. Furthermore, Odysseus’s scar and Oedipus’s swollen foot, as the signs and proofs with their origins, allow for others to realize them. However , the true character and significance of these injuries, while figuratively, metaphorically similar, change: for Odysseus, his scar is a step to redemption, and for Oedipus, his swollen feet and destroyed eyes are unavoidable markers of his doomed fate, representative of his ultimate destruction.

Throughout The Journey, Odysseus, reputed for his wits and cleverness, hides his identity confident that he will be able to get returning to his house in Ithaca and sanction revenge for the boorish suitors plaguing his faithful better half and kid. In the course of this, he employs many disguises both on his own and with the divine help of Athena, rotating tales to those that he meets on his trips, he as well uses his oratorical abilities to create new personas for himself. The scar on his upper upper leg, however , continues to be a constant throughout these physical and verbal metamorphoses as being a mark of his the case identity. If he enters the palace and it is washed simply by his old nurse, Eurykleia, it is this scar that betrays his guise like a beggar:

“Now Odysseus was sitting near the fire, yet suddenly looked to the dark side, for at present he believed in his cardiovascular system that, as she managed him, your woman might be aware about his scar, and all his story may possibly come out. She came up close and washed her lord, and at once she acknowledged that scratch, which as soon as the boar along with his white tusk had induced on him” (19. 389-394).

Following this stunning moment of identification, the health professional recalls the story of Odysseus’s name and how he received the scar tissue through a hunting party. Etymologically, Odysseus means the “son of soreness, ” and appropriately his scar functions as a reminder of his beginnings: begot in a moment of pain, Odysseus nevertheless retains the indicate as a indication of monto and true kingliness. Furthermore, because he is aware of the significance of his scar, Odysseus is able to utilize it to his advantage, simply by reclaiming his identity because rightful california king so that he can restore his throne.

In contrast to Odysseus, Oedipus, who is oblivious to the true value and characteristics of his wounds, begins the enjoy blinded towards the reality of his circumstances. Ironically, although his name alone means “swollen foot, inches Oedipus selects to regard his damage simply while an unimportant and annoying reminder of “old pain, ” and therefore remains ignorant of his true id as the kid of Jocasta and Laius: OEDIPUS. What ailed me when you required in your biceps and triceps? MESSENGER. For the reason that your ankles should be witnesses. OEDIPUS. Why do you speak of that old discomfort? MESSENGER. I actually loosed you, the tendons of your toes were pierced and fettered OEDIPUS. My own swaddling clothes brought me a rare bad. MESSENGER. So that from this you’re called your existing name (1031-1036). In this exchange between Oedipus and the messenger, Sophocles indicates that Oedipus is more interested in maintaining his status compared to realizing the reality, even when confronted with the most incriminating evidence of most: his own body. Offered the opportunity pertaining to cathartic acknowledgement like that knowledgeable by Eurykleia, Oedipus instead strays farther from the reality and straight into the trap of his unavoidable fate.

The orgasm of Oedipus the Ruler introduces a fresh twist inside the discussion of traumas and identities. Having realized too late that he is himself the killer that this individual has been trying to find and the criminal of incest, Oedipus riflard out his eyes. Whereas his inflamed foot was an injury inflicted upon his body simply by his father and mother without his own knowledge and participation, Oedipus at this point punishes him self in an work of autonomy: “But the hand that struck me was not one but my. Why should I realize whose perspective showed me nothing nice to see? inch (1331-1332). Through blinding him self, Oedipus is given the opportunity to finally regain a lot of control over his life and shape his fate. This stark act of self-mutilation is his last store of manifestation in the play and his broken, bloody sight become a mark of his new id as a wretched exile, a fallen king.

In the worlds of The Odyssey and Oedipus the King, human beings are defined by their fatality. Bound to sensitive bodies, caught in a regular tension among life and death, the physical pains that these humans have become excellent embodiments with their identities, regular throughout inspite of the interference of magical changes and sudden fluctuations of fate.

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