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Describing the speaker s violence in maud

Poetry

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Tennyson’s reclusive speaker is shown to condemn the activities of both equally people and society overall within ‘Maud’, many of the speaker’s social criticisms are proved to be valid interpersonal critiques from the Victorian age, in contrast to his sometimes erratic and distorted cognitive habits displayed through disjunctive structural techniques in the poem. On the other hand, some of the speaker’s more intense criticisms of mass interpersonal demographics including women screen signs of the mental health problems the speaker is bothered with in the other act of the poem. With this essay I am exploring how Tennyson uses literary and structural techniques to present his speaker’s resentment of people and society in the following extract, and comparing this to the criticisms of civilisation down the line within the composition.

Tennyson portrays his speaker since derogatory with the newly wealthy: ‘seeing his gewgaw castle shine, new as his title’. The simile emphasises the comparable modernity of Maud’s suitor’s position and exacerbates the concept the suitor is not really worthy of his title or income, having inherited the two rather than having earned these people. In generalised terms, Tennyson’s speaker is shown to be critical of the capitalist state which allows the rich to purchase commodities which should be over and above the reach of capital: ‘what is it he cannot buy? ‘ The rhetorical question illustrates Tennyson’s speaker’s cynicism with the state of Victorian world, in which it can be insinuated a guy could ‘buy’ his way through lifestyle, winning persons ” especially women over with his salary.

Tennyson’s speaker is presented while critical of ladies ” Tennyson suggests that the suitor is definitely ‘rich inside the grace almost all women desire’. This business presentation of women produces the idea that females are unreliable and easily affected by materialistic goods. Over the text, the speaker shows up disparaging regarding all ‘feminine’ traits and seems to be simultaneously drawn and repelled by apparently ‘masculine’ qualities, experts have viewed that this symbolizes internalised misogyny as the speaker feels that ” through the decrease of his dad ” he has shed his identity and in turn his virility.

A repeated criticism of industrialists becomes a repeated design within the poem, particularly within the first work. Tennyson’s audio is proved to be critical of the upper class, who have build all their wealth on the bones with the labourers whom work underneath them. Tennyson depicts the objectification with the working school through abstraction, ‘grimy nakedness dragging his trucks’. This dehumanisation strips the workers of any style or dignity and makes imagery of a collective work force, devoid of emotive language. This criticism displays the state of The united kingdom during this period in the Industrial Trend: many workers who reached the city to get work occupied unsanitary enclosure, worked in hazardous circumstances and had to supply for their friends and family with the pittance they earned. While this kind of criticism may be generalised to the state of the country, the speaker’s criticism originally instigates from his dislike of Maud’s father ” a hatred which can be linked to not merely his father’s death but his emasculation. Thus Tennyson’s portrayal of his speaker’s resentment of individuals could in the end be viewed as misdirected self-loathing.

Repetition is actually a literary gadget used to emphasise the speaker’s disgust at society, ‘sick, sick to the heart of life, am i not. ‘ It may be deduced which the use of imagery related to your body suggests that the speaker can be condemning not merely the conduct of individuals but likewise the root or ‘heart’ of the distorted actions ” capitalist industrialists. Nevertheless , an alternative important interpretation would be that the speaker has an existential crisis and is also venting his frustration for not only the corrupt 19th century culture but ” literally for life alone, which could end up being viewed as the ‘heart’ of society’s challenges as with out human treatment, corruption could not occur. The word placement of the pronoun ‘I’ demonstrates that even though the speaker’s criticism is of British traditions as a whole, the central emphasis is once more on the personal and the speaker’s internalised disgust. Tennyson further more uses asyndeton to create the result of listing in his interpretation of the speaker’s resentment of society, ‘down with aspirations, avarice, satisfaction, jealousy’. This listing makes the sense that society’s faults will be numerous and interminable. Paradox is also deployed here since speaker himself demonstrates for least one of these deadly sins in the form of envy, displaying envy towards Maud’s brother and suitor through the first action.

Tennyson’s motif of conflict represents the speakers’ internal battle against the personal and exterior struggle against society in general. There is also conflict between the speaker’s desire for acceptance in society and his requirement for isolation: when he criticizes society due to its arguably valid flaws, it could be perceived that he desires social addition. Eventually this kind of conflict is usually resolved when the speaker connects in a prevalent patriotic cause with his guy citizens. In the third Work, the speaker’s criticism of society and its citizens’ dissolves ” it can be perceived that as the speaker discovers his identification and communal spirit through war, his insecurity goes away and thus his condemnation of society reduces.

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